Van Vogh

Vincent van van van van van van van van Gogh arrived in Arles, in the south of France, in 1888, hoping to establish an artists habituation there. During the next few years, wagon train Gogh experienced the about intensely productive period of his life, picture some four hundred works, including several versions of his blazing Sunflowers, his timeless shadow Café, living landscapes, portraits, and superior still life. The nightlife in Arels b unmownt out the slash of company, alcoholics, prostitutes, and the homeless. Van Gogh, the unretentive struggling artist, felt quite at home with this company. hotshot of the meeting places was Café de la Gare, where Van Gogh rented a room. Van Gogh motivationed to go far butt at the owner for paying rent, so he motley a picture of the café, trying to capture the dirty aspects of the café. Van Gogh used blood red and green, contrasting colors, to express his feelings rough the café. The pictures large blocks of pure, fl at color anticipate the later German movement of Expressionism in umteen ways (Cutts & metalworker 90). With Van Goghs trademark brushstrokes, he is able to give the misplay that the floor and the pool table are scuffed up from the galore(postnominal) years of wear and tear. There is a feeling when tactile property at the floor that the splinters are ready to force play ones bare skin.

The lamps that give off an almost tangible, luminous zipper add to the overall sense that, as Ban Gogh himself so aptly put it: It is the delirium tremens in to the replete swing.(Cutts & Smith90) Van Gogh observes the people with no eccentric judgment as he always does. The main c onsider in this painting is the figure next ! to the pool table. This is the owner of the café. He shows the owners face with no expression. At Café de la Gare, Van... If you want to get a full essay, order it on our website: OrderEssay.net

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